You come away feeling everyone involved in Cowboys & Aliens just wanted to make a conventional Western it’s a sad thing being told that’s not financially viable.
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The movie doesn’t make time to explain such things, and while the Western aspects thrive, the sci-fi elements, like the aliens themselves, get buried in the desert. It boggles the mind how such stupid, if hard-to-kill, aliens have such advanced technology.
The unimaginative creepy crawlies don’t have a single line of dialogue, but we eventually learn that what motivates them is gold (no, nothing like the California Gold Rush), and that the captured humans are test subjects for unpleasant experiments. Instead of a successful genre mash-up, we get the aliens filling the roles of the Indians in Hollywood B Westerns-their only purpose is to disrupt the cowboys’ way of life and give the six-shooter crowd something to shoot at. sensitivity is apparent in these insect-like invaders. But the green blood of the alien savages runs totally cold not the slightest touch of E.T. Director Ford at least let us know Scar was making war out of revenge for past wounds inflicted by whites. The plot draws comparisons to John Ford’s classic Western The Searchers, with the merciless extraterrestrials replacing Chief Scar’s merciless Comanches. I need that weapon-it’s the only thing that counts.” The colonel is smart enough to realize Lonergan’s importance to the mission: “ You. Determined, ruthless cattleman Colonel Woodrow Dolarhyde (Harrison “Indiana Jones” Ford) heads up a posse to recover all the lassoed loved ones, including his not-so-lovable son, Percy (Paul Dano).
Turns out, he was the head of a large outlaw gang and has a bounty on his head, but people soon forget about such things when alien spaceships attack the town of Absolution (blowing up buildings and kidnapping random citizens), and Lonergan downs one of the nimble ships with his powerful bracelet gun. Tougher-than-dirt Jake Lonergan (Daniel “007” Craig), an amnesiac with a troubled past, wakes up in the desert with a mysterious metal bracelet stuck on his wrist. The result is a flawed, special effects–laden and thoroughly entertaining movie. Jon Favreau’s Cowboys & Aliens is not nearly as preposterous as its name implies, but rather a gritty adventure with a premise that answers a not-often-asked but intriguing question: What would happen if aliens arrived to attack earthlings not in the present day but in Arizona Territory 1873? This sci-fi Western hybrid works because it keeps its poker face straight throughout, never meandering toward camp. Cowboys & Aliens, Universal, 2011, PG-13